Download Chinese Film: The State of the Art in the People's Republic by George S. Semsel PDF

By George S. Semsel

Chinese Film is the 1st ebook to accommodate movie within the People's Republic of China because the cultural revolution ended. in the course of the ebook, the editor has expertly chosen articles and interviews with filmmakers to be able to supply western readers an affordable view of the way movies are made, and their effect in modern China. certainly, the interviews themselves seize the ambience that pervades the undefined. The filmmakers come from a variety of adventure and curiosity, but all agree that chinese language movie is at a cultured leap forward. along with reading the present nation of the movie undefined, Semsel contains works from the simplest younger chinese language movie students. He additionally covers movie schooling, financing, distribution, exhibition, and more.

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Extra resources for Chinese Film: The State of the Art in the People's Republic

Sample text

Shenyang become the center for the Northeast Bureau of the Party. The political situation after the Japanese surrender in Changchun was especially complex. The city was under the military control of the Soviet Red Army. At times, the Communist forces were in control of the city's administration, at times, the Kuomintang. Both were known to each other. At a rally on September 3 to celebrate the victory, three representatives had spoken: a representative of the Soviet Red Army who was, in fact, a Chinese Communist Party member, Zhou Baozhang; one representing the Party, Liu Jianmin; and one representing the Kuomintang.

Ling says: "I worked in Shijiazhuang in the propaganda department of the municipal committee. I was in charge of films, operas, plays, and music. The head of the propaganda department was Founding of the Northeast Studio 27 Chen Huangmei. " Su Yu continued: "In the spring of 1948, we again set off for the Northeast. The area around Beijing was controlled by Fu Zaoyi's army. When we got to Mentougou and Wanping in the suburbs, we had to prepare to break through the enemy blockade lines. We had an escort of soldiers.

It was my first time as a film director and the tempo was too slow. I'd cut a thousand feet out now. " Zhang Ruifang said: "Our underground Party wanted to sneak some Party members into Changchun, so we went as a group sent by the propaganda department of the Kuomintang. The actual leader was a Kuomintang man, but all the rest were underground Party members. We prevented them from making anti-Communist films, refusing scripts that were reactionary. It was very difficult to make Along the Songhua River as conditions were bad and so was the equipment.

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