By Christopher Moore
Synopsis from Amazon:
Jody by no means requested to develop into a vampire. but if she wakes up below an alley Dumpster with a badly burned arm, an aching again, superhuman energy, and a noticeably Nosferatuan thirst, she realizes the choice has been made for her.
Making the transition from the nine-to-five grind to an eternity of nocturnal prowlings goes to take a few doing, in spite of the fact that, and that's the place C. Thomas Flood suits in. A would-be Kerouac from Incontinence, Indiana, Tommy (to his buddies) is biding his time night-clerking and frozen-turkey bowling in a San Francisco Safeway. yet all that adjustments whilst a stunning undead redhead walks during the door...and proceeds to rock Tommy's lifestyles -- and afterlife -- in methods he by no means concept possible.
GoodReads writer Information:
Author Name: Christopher Moore
Author Description: Librarian notice: there's a couple of writer within the Goodreads database with this identify. [url=http://www.goodreads.com/topic/show_group/44217.Master_List_of_Author_Disambiguation_by_Spaces]See this thread for extra information
Christopher Moore (born 1957 in Toledo, Ohio) is an American author of absurdist fiction. He grew up in Mansfield, OH, and attended Ohio kingdom college and Brooks Institute of images in Santa Barbara, CA.
Moore's novels ordinarily contain conflicted everyman characters all of sudden suffering via supernatural or notable situations. Inheriting a humanism from his love of John Steinbeck and a feeling of the absurd from Kurt Vonnegut, Moore is a best-selling writer with significant cult status.
Author URL: http://www.goodreads.com/author/show/16218
Read Online or Download Bloodsucking Fiends: A Love Story PDF
Similar humor books
Within the most modern fact television express, contestants need to turn out that they'll opt for one another's jugulars on the way to get their names within the headlines. yet an individual takes the show's subject matter actually while one of many judges is located stabbed to dying.
An American comedian icon tells the tale of his second–act upward push from obscurity to multimedia stardom.
"When i used to be a kid," writes Rodney Dangerfield, "I labored tricky locations in express business––places like Fonzo's Knuckle Room. Or Aldo's, previously Vito's, previously Nunzio's. That was once a tricky joint. I checked out the menu. they'd damaged leg of lamb. " For as soon as, one in all America's such a lot cherished comedian icons isn't kidding. Dangerfield has noticeable each element of the leisure undefined: the rough–and–tumble nightclubs, the behind the scenes gag–writing periods, the medicine, the hookers, the awful day jobs – and the red–carpet famous person therapy. As he strains his direction from a bad early life on manhattan to his enshrinement as a comedy legend, he is taking readers on a roller–coaster experience via a existence that has been alternately touching, sordid, humorous, raunchy, and uplifting – equivalent elements "Little Orphan Annie" and "Caligula. " and in contrast to such a lot megastar autobiographers, he turns out to don't have any qualms approximately supplying the unfiltered entire tale, warts and all.
Dangerfield's own tale can also be a rollicking convey enterprise story, filled with marquee name–droppings (Adam Sandler, Sam Kinison, Jim Carrey, Johnny Carson, Jerry Seinfeld) and reliable tales approximately related. Defying the outdated saws concerning the fleeting nature of popularity and the lack of moment acts in American lifestyles, Dangerfield remodeled himself from a debt–ridden aluminium–siding salesman named Jack Roy to a multimedia star – and stayed an icon for many years. His catchphrase – "I get no respect" – has entered the lexicon, and he continues to be a visual cultural presence and perennial talk–show visitor.
Dangerfield's hilarious and encouraging musings may still thrill comedy enthusiasts and pop–culture watchers, and his second–act comeback will ring a bell with readers of all stripes. perhaps he'll even get a few respect.
The QI crew have blown your socks off, made your jaw drop and knocked you sideways. Now they go back with 1,234 brand-new awesome evidence that would go away you speechless.
- plants get suntans.
- Denmark imports prisoners.
- Bees can fly greater than Mount Everest.
- The Republic of eire first obtained postcodes in 2015.
- Martin Luther King Jr obtained a C+ in Public Speaking.
- The Aztecs wore jewelry made up of popcorn.
- nobody within the united kingdom dies of 'natural causes'.
- Penguins can't flavor fish.
It's an easy tale. Boy reveals facts that fact is a working laptop or computer application. Boy makes use of software to govern time and house. Boy will get in hassle. Boy flees again in time to Medieval England to stay as a wizard whereas he attempts to consider the way to make things better. Boy will get in additional trouble.
Oh, and boy meets lady at a few point.
Off to Be the Wizard is a mild, comedic novel approximately pcs, time shuttle, and human stupidity, written by way of Scott Meyer, the writer of the the world over identified caricature simple Instructions.
Magic might be made! Legends might be created! Stew might be eaten!
- An Idiot Abroad: The Travel Diaries of Karl Pilkington
- Closet Case
- The First Casualty
- The Last Continent (Discworld, Book 22)
Extra resources for Bloodsucking Fiends: A Love Story
One can acquire philosophy and knowledge, it is true, but the basically unsatisfactory fallibility (rather than its constant improvement) of the human mind persists nonetheless. So there is always something radically incomplete, insufficient, provisional, disputable, and arguable about humanistic knowledge that Vico never loses sight of and that, as I said, gives the whole idea of humanism a tragic flaw that is constitutive to it and cannot be removed. This flaw can be remedied and mitigated by the disciplines of philological learning and philosophic understanding ...
Hers is a missing lext, yet "she would come if we worked for her;" I borrow this articulation from Gayatri Chakravorty Spivak's rereading of Virginia Woolfs appeal to the young Oxbridge women that they allow themselves to be "haunted by the ghost of Shakespeare's sister" (Spivak 35). This specter is not bound to appear simply, but needs to be envisioned, actively, through a reaching out, a projecting oneself, responsibly, in view of the other.
What can be gleaned from this exchange is that Lawrence has had difficulties with the master epithet bestowed on his work. Despite the fact that Greene, to his credit, offers two possible definitions of "epic" in his question, this term is, generally speaking, used in a rather colloquial sense, so much so that Lawrence is hesitant to latch on to it and rather feels he has to refuse an instance of language again. Greene's apologetic reply registers this: "Oh, maybe it doesn't. " When he offers a revision of his earlier defmition of "epic" as "this almost larger than life type of thing," which appears to reveal a moment of distress in the impromptu character of this articulation, Lawrence falls practically silent.