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By Genichi Kawakami

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2. The Influence of Celtic Music le 28: ‘‘Bugle Call Blues,’’ cd: Dixieland to Swing: The Golden Collection, vol. 1; Retro R2cd 4009. le 29: ‘‘It’s Hard to Laugh or Smile,’’ lp: Bennie Moten’s Kansas City Orchestra, vol. 2, 1928–1929; rca 741078, Black & White, vol. 80. le 30: ‘‘Gut Bucket Blues,’’ cd: Louis Armstrong: The Hot Fives; cbs 4608212. le 31: ‘‘Oriental Strut,’’ ibid. le 32: ‘‘Im Schweizer Hochland,’’ cd: Volkstümliche Melodien mit Slavko Avsenik und seinen Original Oberkrainern; Activ Records ag, cd 5–2568.

Le 23: ‘‘Ned Went A-Fishin’,’’ cd: The Music of Kentucky, vol. 1; Yazoo 2013. le 24: ‘‘Coon from Tennessee,’’ lp: Blacks Whites and Blues; cbs 52796. le 25: ‘‘Bar of Hanky Panky,’’ cd: usa ; Sonia cd 77087. le 26: ‘‘The Dicty Blues,’’ cd: The Fletcher Henderson Story, vol. 1, Thesaurus of Classic Jazz, Columbia 57596. , vol. 2. The Influence of Celtic Music le 28: ‘‘Bugle Call Blues,’’ cd: Dixieland to Swing: The Golden Collection, vol. 1; Retro R2cd 4009. le 29: ‘‘It’s Hard to Laugh or Smile,’’ lp: Bennie Moten’s Kansas City Orchestra, vol.

These traditions can also be heard in the folk music of the Appalachian Mountains. ’’ (lp: Musica Strumentale degli Appalachi: Instrumental Music from the Southern Appalachians; Albatros, usa Folk & Blues, vpa 8301, le 22). 2. Hillbilly and country music: No forms of folk music were as prized as Scottish fiddle music and the rural fiddle tradition. They survived in the Appalachians into the twentieth century and, in combination with the banjo, formed the basis for hillbilly and country music (compare ‘‘Ned Went A-Fishin’,’’ cd: The Music of Kentucky, vol.

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